Ever since Bergman's "The Virgin Spring" was remade as "Last House on the Left," his work has suggested a rich mine for homage.. It's Centurion Deux without the second-coming-of-Carpenter pretense, though you still wish the trashiness were more distinctive.. Charlie St. Cloud -- from its awful title to its annoyingly perfect photography -- is a schmaltzy sniffle at best.. There are a handful of soaring, immersive and at times beautiful fight-and-flight sequences which utilise 3D in the best imag...
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